DESCRIPTION
Saitais (Links) is a poetic miniature of sound and movement, inviting the experience of subtle, often invisible connections that bind us to other forms of life. The starting point is the lichen—an unnoticed, often neglected life form that calls us to expand our gaze beyond the human-centered world. Exploring the symbiotic nature of lichen inspires a rethinking of individuality: to see oneself as a multilayered body, constantly acting and being acted upon by other life forms and the environment.
This performance invites to be, to sense, to listen, and to see oneself as a fellow traveler among other living beings. It encourages empathy toward those with whom we may not feel an immediate connection. It is an attempt to tune into a slow, quiet life—to imagine the fragility and vitality of micro-environments. Saitais offers a shift into a different scale—where delicate interaction emerges from a quietly active presence.
CREATIVE TEAM
CHOREOGRAPHER/S
Chor. Gabrielė Bagdonaitė
DANCER/S
Gabrielė Bagdonaitė, Liza Baliasnaja, Giedrė Kirkilė
COMPOSER
Gabrielė Bagdonaitė, Vladas Dieninis
SCENOGRAPHY
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COSTUME DESIGN
Gabrielė Bagdonaitė, Ramunė Šečkė
LIGHT DESIGN
DRAMATURGY
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PRODUCER
Be kompanijos / Agnietė Lisičkinaitė
PHOTOGRAPHER
Donata Šiaudvytytė; Vismantė Ruzgaitė
GALLERY
Movement Captures
VISUALS
OFFICIAL TRAILER
FULL PERFORMANCE
PRATICAL INFORMATION
NUMBER OF TRAVELERS
4-5
PLATFORM SIZE:
Optimal space size: approx. 170 sq. m. (length – 20 m, width – 9 m, height – 4 m).
The size also depends on the number of spectators – if fewer, the space can be somewhat smaller.
Optimal audience capacity: 40–100. Spectators are seated on chairs and cushions (on the floor). Seating arranged on all sides, 360°.
Preferred environment: natural materials – wooden floors, walls, ceilings and/or stone elements. A bright space with natural ambient light.
To ensure the quality of movement, the floor should be even and slightly slippery (preferably well-finished wood; avoid carpets or rough concrete).
It is important that the space does not have excessive echo; for example, a church space would not be suitable. The acoustics of the space can be tested by recording a video of a person speaking.
TYPE OF THE SHOW
Interdisciplinary show




