Hairy 2.0

"Hairy 2.0" is a choreographic piece for a dancer and his hair.

Hair is one of the few parts of the human body that one cannot move voluntarily and directly. Choreography and dance, on the other hand, can be seen as an art of physical (self-)control. Choreographing hair, thus, carries in itself a dramatic tension – how to control the uncontrollable. This tension is the starting point of "Hairy 2.0".

Because of its uncontrollable nature, hair can be seen as an entity separate from our body, yet dependent on it. Hair is a boundary, limit both separating us from and connecting us to what is physically outside of us. A choreography made for hair
thus raises ontological questions about our identity, our body and its autonomy.

Loose long hair has strong symbolic meaning in the Western society. It invokes freedom, romanticism, naturalness, and liberation from tradition or oppression. Strimaitis uses all these symbols as a formalist tool in order to develop counterpoints not only in timing and space, but also in meaning.